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Olympiad Oracle: Breaking of the Seals
Archaix

Olympiad Oracle: Breaking of the Seals

from Archaix

July 12, 2026 | 01:53:02 | Entertainment

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Formerly a 4 hour video on the Olympics decode has been edited down to under 2 hours on profound rituals with predictive programming from the 2012 Olympic Opening Ceremony. Archaix Underground is $5.52 monthly. Copy and paste into an internet browser to subscribe and set up your account, and then download the app if you want to use it. https://archaix-underground.circle.so/checkout/archaix-underground-membership PSYFR entry will be CLOSED once NFL season starts! PSYFR is presently 675 members. Ask at: [email protected] ARCHAIX ACADEMY or Archaix Omni Drive email [email protected] CHRONICON: downloadable Chronicon, 1055 pages of world history and future now with about 380 charts. Link- https://jasonbreshears.podia.com/chronicon-2023-finished-chronology/buy #sevenseals #apocalypse
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Transcript

00:00:00 - 00:00:29 | Unknown:

Transcription by CastingWords

00:00:30 - 00:03:26 | Speaker 1:

I'm about to take you guys for a ride. Let's share the screen. This is where it gets crazy. Man, it's going to get so crazy. All right. Okay. This is where it gets crazy. All right. I'm sorry some of these are a little bit blurry, but you get the idea here. You get the idea here. What you're looking at is a replica of a very simple European dark ages, middle ages type society. There are scenes in here, cottages and scenes and farming, but they're hidden in the pictures. hidden in this picture is another ritual. So we have a ritual within a ritual. There is another ritual here. It is an ancient practice in Europe and it involves the Phoenix phenomenon. I'm going to show you. They never mention it overtly. Instead, they draw your attention to something else. This is ancient Britain, a depiction of ancient Britain. At the bottom of the screen, women are performing a ritual. Again, here's just a picture showing this is a simple life. Simple people, simple knowledge, simple information. They're not technologically advanced. They have to basically work for everything. Everything is simple. Shows them doing their medieval labors or their work. what you're looking at in the background is the key to uncode decoding what you're seeing this is the mountain that you've seen in all those alchemy pictures that i've showed you this is the mountain with the divine tree on top of it it represents something else i'll get to that in a minute here it is it's just standing there all by itself in the distance here's the village all the people are

00:03:26 - 00:06:26 | Speaker 1:

all the people are very simple this is medieval pre-renaissance times again now we have cameraman focusing on the ritual in the background the camera angle is perfect because you can see the divine tree on top of the divine mountain very ancient symbols here this ritual that you look at you're seeing is the maypole ritual the maypole ritual became only after a couple thousand years it became a ritual for fertilization it became a ritual about regeneration but the more ancient aspects concern a sacrifice at the pole to thwart away a disaster that happened in the month of May. This is the Maypole ritual. It's all very innocent. It's all laid out very, very innocent. These guys here are, there's three of them. They're watching the unfolding of events I'm about to show. In the video, these are your truthers. these three guys are not believing what they're seeing they have doubts everybody else is in line everybody else is doing exactly what the controllers want them to do these guys are pretty much sad and in disbelief as they watch all this unfold. You see these hat-wearing guys? These are amazing actors. All of them perform rituals with their hands and their observers, their watchers, all they do through the entire ceremony is walk around, observe what the people are doing, but their hand gestures over and over and these little dances they do reveal that these are architects, financers. These are the ones that are making everything happen, but they don't do any labor. They don't do any work. All the work is done by the people. These guys, these guys are controllers. The guy at the very top, this is the most enigmatic guy. I'll show many pictures of him. He's holding a book. A book. A book is nothing but a glorified tree. He's holding a book of knowledge.

00:06:26 - 00:09:25 | Speaker 1:

He's holding and he's standing at the tree on the mountain. He's about to give a speech. Here he is right here. He's looking at this divine mountain. They're watching him. They are subservient to this guy. This guy is an enigma. His role in the ceremony is amazing. here it is the cameraman showing it at a distance he's looking at the divine mountain he's expecting something at the mountain they're watching him they take their dictates their directives everything they do is for him in one scene in one simple scene you have the primitive people out here that's a cloud that white deal you see on the left is a cloud in the sky here's all the people in white in in in the in primitive europe primitive europe with zero technology, simple. The people have lost all knowledge. All they have are their fairy tales and their traditional practices, like the maypole, which was in honor of the phoenix destructions in May. Here it is right here. And the fertility ritual attached to it was because the population needed to replenish their numbers after a phoenix event. At the Maypole, just like in Southeast Asia, at the Amfalos, single women could visit the rock and males could go have sex with them. And when they returned to the community, if they were pregnant, it wasn't frowned upon because replenishing the stock was paramount to the community. This is the simple village people of medieval and pre-Renaissance Europe and then something happened. That's why these men are here. They're expecting something. This guy here is directing everything when something happens. He turns around and speaks to the people. This guy's role is fantastic. You guys need, you must watch this after my breakdown's over. You've got to watch it with new, fresh eyes, and you're going to see it all. This guy gets on the mountain. He's giving his speech. His facial expressions are amazing. I say, I was so impressed with this. This guy here played his role to a T. So what he said, he turned to the people, the ordinary people.

00:09:25 - 00:12:20 | Speaker 1:

He said, be not afeard. be not afeard. He said it twice. The aisle is full of noises, sounds, and sweet airs that give delight and hurt not. Sometimes a thousand twangling instruments will hum about my ears and sometimes voices, that if I then waked after a long sleep, will make me sleep again. And then in dreaming, he emphasized dreaming, then in dreaming, the clouds, my thoughts, would open and show riches ready to drop upon me. That when I waked, I tried to dream again. That's how he said it. he's quoting william shakespeare's the tempest a tempest is a storm just like the typhon was a storm the phoenix so quoting shakespeare who's famous for saying all the world's a stage this man said be not afeard he's talking to the people be not afeard be not afeard the aisle is full of noises you're on an island but this island isn't real you're in the dream he's being very clear here but it's a dream that's necessary he even says right here when he wakes from the dream and realizes what he's just been through. All he wants to do is dream again. He wants to go into another constructual experience. Remember, we're living life sims. We're going from timeline to timeline to timeline and we are honing our spiritual abilities. It gets deeper than this. As soon as he's done with his speech there is an amazing drum instrumental you gotta listen to it and watch what happens because when he once he tells the people that we're in a dream and the dream is the island that we live on and the the people just don't know how to they don't know how to comprehend it really and then something happens when he's done with his speech all of a sudden the drumming starts, smoke, the tree lifts up off the mountain and shows technological gears,

00:12:21 - 00:15:20 | Speaker 1:

hydraulics. The tree's artificial. The mountain is an entrance. The tree raises up and all these people come out. These people possess knowledge. And this guy is suddenly watching from a distance what's going on. This mountain produces all kinds of people. They're coming out. They just keep coming out. More and more people just keep coming out. And they come out with tools. They come out with all kinds of stuff. And these people come out and completely erase the world of the Maypole, the world of the commoners, the world of the innocent. They come out and they come out with engineering and technology. They start working and as the people get numerous and numerous and numerous, these guys here who are fantastic actors, especially the one in the front. He's the leader of all, I call these guys the builders. He's the leader. You're going to see a lot of pictures of him. This is the one all the other black hats follow. I don't mean black hats and white hats. I should have said top hat. All the top hats here follow this guy. He dances. They mimic him. And his dances are designed to do engineering things. And the people copy it and go off on their duties. And all kinds of things start appearing in the field. These are the builders. But the people see their dances and copy them and go off and build things. As the construction begins, more and more people keep coming out of the mountain. Where have we seen this mountain before? Here it is. These guys have given their instructions, and this is what they do through a lot of the ceremony. They watch. These are the watchers. The watchers descended from Mount Ardon in the Book of Enoch. The watchers came and brought what? All the technologies. They brought herbicides. They brought astrology, astronomy. They brought weapons. They brought metallurgy, how to make armor, how to make utensils and pots and pottery, how to build structures, how to do canal works. The Book of Enoch lists all the things. The watchers taught simplified men, like you saw men and women out there living very simple lives around the maypole. What you have just observed in the opening ceremony of the Olympics is an admission that a reset happened by the typhon, by the phoenix.

00:15:21 - 00:18:20 | Speaker 1:

This is what the maypole is about. an admission that are after a reset there are benefactors in the underworld who come up through the mountains to reinitiate civilization on the surface world i have 20 or 30 videos about this concept here it is laid out for us clear as day while people were on the surface world being reset back to a neolithic, almost primitism. Technology survived in the underworld. This is the story of Enki bringing the Anunna to a primitive world, the Sumerians. He wasn't a god. He was a human who was technologically advanced. He came from the mountains. Who was Enoch? The same individual. Who was sea crops? civilization builder he wasn't a god he was a human he came from somewhere else he just had infrastructure intact and he settled among more primitive people this is the story oh oannes is the same of babylon this is the story over and over and over here it is right here laid out laid out here's this guy again his his genius role this dude should have got an award for his role his acting was amazing and the music is just so compelling here he is again he's the leader of the builders remember the guy that gave the speech he rules over this dude right here he's somebody really special he's not the builder these are the builders the guy that gave the speech is the dreamer the architect yeah he doesn't do any labor or any work you'll see you'll see he reappears remember when you rewatch the ceremony remember the things i said in this video it's all going to i'm telling you you're gonna have mind explosions it's awesome here it is giving it away these guys are doing rituals and the people are following excuse me oh man i got chills on that yeah i'm just so impressed with these guys. Their acting was so awesome. And his facial expressions just killed me. He's so good at what he does. I'd like to know who that dude is, really. Now, okay. The simple people are doing away with their world. They're doing away with their gardens. Look at them. They're taking the things that have kept them alive. their gardens, and they're removing them for the people coming out of the mountain to build a technological infrastructure. This is what's happening. The strangers have

00:18:20 - 00:21:18 | Speaker 1:

appeared among them, and they're building things they've never seen before. Here's the builders. The builders are mapping out. In a dance, they're mapping out what the people coming out of the mountain need to do, telling them what the instructions are. And then they stop and they watch and they wait for more and more to be built and the people work these are the people from the mountain mixed with the simple villagers you saw in the beginning the villagers never disappear they mix and they get outnumbered by the people from the mountain there's a whole mixture here all of a sudden out of the ground out of the ground all of a sudden these structures start appearing these smokestacks industry everything's being built and it all came from underground out of the mountain here are the builders admiring their work they're watching as the people as the people build these things here they are here they are again and the people don't stop they're steadily working these pictures get these pictures get awesome this guy we return to this guy but before we do I got to bring something to your attention. Okay. People with knowledge and engineering emerging from a mountain. Where have we seen these things before? Do I have to show you? Yeah, I got to show you. I'm going to have to show you. Going to have to show you. Where have we seen these things before? Have we seen these things before? My 1902 video, when I'm explaining all the new inventions and all the new bureaus and all the companies and all the new translations of old books, everything that appeared in 1902 and 1903. Shocking. I have multiple videos on 1902. In that video, I do breakdowns on over 100 alchemical illustrations showing you they knew about the phoenix, they knew about the 138 number, they knew about the resets, and every bit of it. The elite are underground. The elite are underground. Look at this, putrefaction, sublimation. This is all designed to make you think that it's talking about alchemy. But alchemy is code. Here's the phoenix right here. Look at this. What do you see at the bottom? The exact same dress and hat of the guy you saw in the Olympic video opening ceremony doing work. Here he is right here at the bottom. This is the simple folk. They live on the surface world. Here he is right here. They live on the surface world.

00:21:20 - 00:24:18 | Speaker 1:

The simple folk are blind. They don't know. They don't even know what's going on. They're blind. Look, here it is. But the people in the underworld know what's going on. They know exactly what's going on. Here's the mountain. The entrance to the underworld where the elite have an entire civilization where knowledge is preserved. Libraries are preserved. Traditions are preserved. It's why so many new translations to anciently formerly lost books keep reappearing. Reset after reset after reset. They've done a very good job at preserving history and keeping it, but they've codified it into symbols and traditions that if you don't know what you're looking for and you don't know anything about the Phoenix phenomenon, then you totally miss everything. But it's all here. They've been telling us the truth since the Renaissance period. and all the alchemical texts. It's amazing. There was something else that I had. I can't remember what it was. Oh, Mother Shipton. You remember the Mother Shipton prophecies? I've got in my book in 2013. In 2013, I published the full Mother Shipton prophecies in the back of my book, Nostradamus and the Planets of Apocalypse. Here it is right here. Here's an old woodcut of Mother Shipton. Why is this important? Mother Shipton prophesied of the return of the sixth sky dragon, which matches the sixth seal of Revelation, which is the return of the phoenix. This is what she wrote in her prophecy. Why it completely aligns with, Remember, Mother Shipton was British. She was from Britain, England. The London game ceremony was done in England. And this is what she said. And in some far off distant land, some men of such a tiny band will have to leave their solid mountain and span the earth. those few to count who survives this and then begin the human race again but not on land already there but on ocean beds stark dry and bare not every soul on earth will die as the dragon's tail goes sweeping by as the phoenix not every land on earth will sink but these will wallow in stench and stink of rotting bodies of beasts and man, of vegetation crisped on land.

00:24:18 - 00:27:16 | Speaker 1:

But the land that rises from the sea will be dry and clean and soft and free of mankind's dirt and therefore be the source of man's new dynasty. And those that live will ever fear the dragon's tale for many years. But time erases memory. That's what you saw at the beginning of the ceremony. the people had pretty much forgotten everything how they how they became simplified because we've been taught a uniformitarian lie that we began simple and became complex it's not true remember in archaics if something is true somewhere it's probably true everywhere. And what I mean is we live in a technologically advanced society. Technologically advanced societies have always existed. They just weren't on the surface and for good reason. So she says, but time erases memory. You think it's strange, but it will be. And before the race is built anew a silver serpent comes to view and spews out men of like unknown to mingle with the earth now grown cold from its heat and these men can enlighten the men of future or enlighten the minds of future man to intermingle and show them how to live in love and thus endow the children with the second sight a natural thing so that they might grow graceful, humble, and when they do the golden age will start anew. Yeah. so compelling guys it is so it's amazing all right before we continue with that that that the beginning of the ritual check my chat real quick everything's going good all right let's get back to it we got some ground we got some ground to cover i'm still sharing my screen so let's get back to here this is where we were at Oh no, that's the beginning. That's the opening. There's that simple guy with the hat. All right. Let me go find where I was in the narrative. Because they were building. Yeah, is this where, yeah, here they are. Oh, I was, oh, I remember we got, when they were done building, it shows this guy again. It shows this guy again. While we're seeing all these scenes, this guy never works. He never dances.

00:27:16 - 00:30:11 | Speaker 1:

He always holds the book and he walks around. And the builders, the other top hats, always defer to him and stay separate from him. He's by himself. You are looking at the avatar of the benefactor. In this context, he's playing Enki, who's ruler over the Anunna, who rebuilt a primitive civilization after a reset. 34-39 BC, the Gihon flood destroyed one third of the world's population. Again, he's playing the role of Enoch. Enoch was the architect. Enoch gave the blueprints. It said in the book of Jasher that he gave the divine instructions over to the Sethites. And the Sethites, the men with the black hats, became the builders, and they built the Great Pyramid Complex, the ancient divine pillar, the ancient tree of knowledge of good and evil. Yeah. I got a whole book published in 2006, for those of you who don't know, called Lost Scriptures of Giza, where I show that the Great Pyramid of Egypt was anciently known as the Great Pillar. It was also known as the tree of knowledge of good and evil. it's all the same thing so built built by a pre-cataclysm world this guy right here is the architect he gives all the instructions to the builders and then the builders through dance convey it to the people and the people built this magnificent city this guy here his facial expressions are awesome now there's no explanation in the ceremony as to what you're seeing here but he during all the dancing and all the building up of all of the city this guy goes to this portal thing stands in it turns around and then the lights activate around him and the floor lights up it gives off the impression that he just went down an elevator it's right here yes i thought this was really interesting here they're still building the city yeah he didn't hang around he goes back and forth from the underworld to the surface world now the narrator during all this the narrator says oh look how they build all this I'll get to what the narrator says in a minute because this is all super super badass Look, they're building something. The builders are watching. each smokestack go up. Each smokestack is a tower. They're watching. Look, they're high. The builders are looking at the work. The people keep building. During different areas of the work

00:30:11 - 00:33:07 | Speaker 1:

that are completed, the builders always take their hats off. Then they move on to the next part of the work. This guy here is great. This guy here is great. Almost complete. It's almost is complete. What they're trying to build. And again, another part's done. Another section's done. It's becoming more and more complete. They're going around supervising. They're looking at every piece. Now, this is a really chilling moment because there's no descriptor. No one knows what they're talking about. But the builders all start doing a dance ritual where they're literally looking up at the sky and asking something like a challenge. Come on down here. Come on down here. This is what they're doing. You need to watch the video and listen to the music. It's not apparent. Yeah, this is unusual here. It's the only time they did that. Kind of reminds me of the Tower of Babel story where humans challenged the gods and the gods looked down and said, behold, the man has become as one of us and there is nothing that by virtue of imagination he can't accomplish. And therefore they separated mankind by languages in order to keep them from ever building another construction project like that again, which threatened the overseers. Here's the builders doing their thing. They come out and the music changes. These guys come out. So now we have a new class of people, artists. The simpletons in the village have basically been assimilated by the industrialists that have come in. The industrialists have come in, built this infrastructure. Now that the infrastructure is intact, not everybody has to work anymore. Some people have leisure to be artists. And now the artist class comes in. the artist class come in with their music weird weird little horn here the music is so good when you're watching all this the music is just so good large ship comes in we got now we've got civilization we got people moving we got all kinds of things happening we got the the industrial pre-technological civilization is in full swing now it's all happening. Now we've got multiculturalism. We got other races co-mingling. We got people coming from all over the world, working together, doing things. It's amazing. This all came from the mountain. Every bit of this came. All this knowledge and know-how, how to build this world came out of the mountain after a period when people were living very primitive.

00:33:07 - 00:36:04 | Speaker 1:

now the now the work the great work begins after a period of multiculturalism after a period of high industry after a period of city building all of a sudden now the great work is put together the great work is overseen by maritime law these guys come in they represent maritime law The courts, the judiciaries, all this. The great work is underway. All the people are participating. The builders have surrounded. The builders are watching from a distance as this labor class with the hammers are all involved in the great work. The hammer was the symbol of the socialist. All these men have hammers and they're working on this great work. Here it is, the hammers again. There's the hammers again. They're all working in the foundry. This guy pops up out of nowhere. His facial expressions are like, wow. He's like seeing the, he's seeing his work. He hasn't lifted a finger. He's the one that introduced us and told us, no matter what you see, you're living on an island and there's nothing to fear. there's nothing here to be afraid of. And his facial expressions carry this message even further throughout the whole ceremony. It's amazing watching this guy. To him, it's all amusement. Everything around him is a dream, but it's his dream. He set all this in motion, and he's telling the participants, there's nothing to fear. We're living on a... island and it's a dream and when it's over you're gonna want to dream again this is what he's saying over and over that's how he introduced all the whole deal here he is again looking around such a great actor don't even know who this guy is now look when he appears look at the builders the builders are going into dance cadence they're they're actually working at dance and stuff he doesn't he doesn't do anything builders are going at it their dance instructs the people it empowers the people here he is look at that stance that's a boss that's a boss right there hands in the pockets cigar in his mouth got that top hat leaning all the other top hats they're working they're focused on the work not the boss the work the work is almost complete look how over and over through the ceremony which is really interesting is that you notice that the number of the builders keeps increasing

00:36:04 - 00:39:04 | Speaker 1:

started off with just eight guys then eight guys became 12 then 12 guys became came like 15 and 15 became like 20 something guys by the time by the time at the end of the ceremony the guys to the top hats, there's like 30 of them. Here comes your leisure. Does this kind of represent your leisure and your modern class of people? They're coming in. They're checking everything out. The great work is almost done. Toward the end of the great work, the builders go into a frantic dance, which is lending power to what the people are putting together. Here it is. They go into their frantic dance. And toward the end, here you got this dude. This dude right here, he's supervisor. Enki, Enoch, benefactor, Oannes, sea crops, Ogaijis. It doesn't matter what you call him. The story's always the same. He brought civilization. He came from the underworld or out of the mountain and basically revived a world that had been destroyed and educated and became benefactor to the peoples that had survived that world and had basically lost their history and lost everything on the surface. But everything was preserved in the underworld. This is the story. This guy here is playing benefactor. There he is again. The builders are basically going toward the great work. Now look, all the people on this mountain, these are the occupants not of our world, but of the underworld. They have come up to the surface to see the great work. Here's the great work. The drum solos are so badass. You've got to listen. You've got to go watch this video as the great work gets put together. Here's the golden rings. He's watching with anticipation, but he doesn't have worry like the builders. The builders are like, man, okay. But he is just watching like, man, I did it. I've done this. Here it is. He's watching it all. His facial expressions are different than the builders. There it is again. He's looking up as the great work gets put together. There he is. Don't miss him. He's right there. There's the great work. These five gigantic rings, one of them is being made right there. the rings are coming together they're flying through the air the drum cadence is so awesome the people have all come together all the simplers, the villagers different races, different cultures everybody here is standing in honor of the commission of the great work the great work comes together

00:39:04 - 00:42:04 | Speaker 1:

when it's forged the narrator says What was struck at the foundry was of the highest quality. Guys, this ceremony is not about the five rings of the Olympics coming together. The entire intro, that's the intro ceremony to the games, but it's just one piece of it. We have several other pieces to look at. Well, about four more pieces. these five rings by the olympic commission by the olympic commission they have published that the rings represent europe africa north america south america asia australia the five rings are the five inhabited Thank you. continents. This is a clever way of showing new world order. Remember, 1920 was the start of the League of Nations. 1920, the Paris Olympics, I mean, excuse me, the modern Olympics began, As I showed at the beginning of this video, League of Nations became United Nations later when it was basically disbanded and a new charter was written, which was the United Nations. United Nations is all about bringing all the world under one government. The five rings are the great work. The great work is new world order. here's the great work starts a storm look at this storm look at this guy he's like oh man we're done we did it we did it look at him here's the builders the builders they're like builder protocols they don't have personalities he does look at his facial expressions he does that's the great work. Look at the builders. No, no, they're just not involved. Look at them. Way back here in the back. They're just not involved. They're disconnected. These two in the front may be a little bit. This is the great work right here. There's always bringing humanity together is a holy endeavor. This is what a benefactor would want to do. But there's an evil subtext here. How do we know this? How do we know that New World Order

00:42:04 - 00:44:59 | Speaker 1:

also has a very evil connotation in this context? That's easy to see. At the very end of this ceremony, the narrator of the Olympics says specifically that all of this was inspired by the English poet John Milton, 17th century English poet from his book, The Paradise Lost. What you just saw was the building of Pandemonium. Pandemonium in Paradise Lost is the capital city of hell. Can't make this stuff up. That was specifically stated at the end of that skit right there. so hell infers the participation of demons and if that's true then it's going to make sense of the next scene that we're going to see now let me find where I am let's see all right back in my chat he says the main man is the actor kenneth branell thank you tina horton yeah the main dude i really like to know who that is i'd like to see some movies with him in it he's a great actor and so is so is the main builder the main top hat guy that's with the group those two guys okay like i said we're not even half we're only halfway done with this video guys this is like this is gonna get super deep now we're going into the one that a lot of people were talking about but i'm gonna show you details people missed i'm gonna show you the details details they're It's crazy. This was the first scene of the Olympic ceremony. It goes straight into a really weird scene concerning the children and the hospital beds. But you've been misled. There's a lot of videos telling you how to interpret that scene. I'm going to tell you they're wrong. there's a whole other layer of interpretation here and all it takes is a change of perspective and you'll understand what's being conveyed so let's get to it Jonathan Weston, no no, the benefactor

00:45:00 - 00:47:58 | Speaker 1:

is navigating souls through hell be not afeard be not afeard the benefactor the benefactor it's like choosing the lesser of two evils we have to introduce a world with all the amenities but in doing so it introduces a lot of evil as well from the very beginning the adam and eve story was about good and evil it wasn't about being good it wasn't an evil pre-existed any sin that that was laid to the charge of Eve or Adam. It was always there. They always went in tandem. This is the aisle of good and evil. This is where it all happens. The benefactor will lead the righteous souls through all this pandemonium, all this hell. But for those who choose to stay in the island and want to live through this, the world will be a home to them as long as they want to abide here. This is why all the stories are so ambiguous. All our benefactors and heroes in all the mythological systems, they all had a dark side. They all had a dark side. Name a person in the Old Testament, just in the Old Testament. I'm not talking about in Odinism or in Greek mythology. Almost every single hero in every pantheon that was known as virtuous and very righteous and adored by the people had some dark element about their personality or history. Alright, let's go with we gotta hit this next scene. Remember, these are not to be taken as singular scenes. They're all promoting a narrative. I have just gone through I've just gone through the first one But the second one adds context. The third one adds more context. The whole ceremony itself is a beautifully hidden message. And once you know it, you can't unknow it. When you go watch the ceremony and listen to the music and hear the speeches, it'll all be there. It's incredible, guys. I know YouTube tonight is going to trip and they say, damn, there's a lot of people watching this damn Olympic ceremony all of a sudden. All right. Let's do it. Euthanasia. We love context. That's good shit. All right. So I need to share scene two. And let me see my, let me look at my Python file rule. Oh yeah, it's going to get, oh, it's going to get compelling here. You guys just don't know. All right. this is how it starts. Let me see if I get to the start. Oh, yeah, this is so good. So good.

00:48:02 - 00:51:02 | Speaker 1:

Look at that. All right. This is the infamous rollout of the nurses and the hospital, children in the hospital beds. And so far, I haven't heard or seen a single accurate interpretation of this scene. yeah that's a that's a hell of a claim because a lot of you are going jason man covid happened the vax happened i'm not denying that but there's a much deeper meaning being conveyed here it does concern that as well here we go so the ritual begins with actual listen It is announced that this scene begins with actual, real, licensed nurses and staff members of the National Health Service playing the role of dancers and actors. This is a ritual involving real people in the medical profession who have taken their time to learn this skit. the camera pans over to a strip of people who are real patients of that real hospital. They are patients of the gosh hospital. So the aerial view of the stadium, many people have noticed this and they're probably right, but the lighting pyrotechnic lighting effects of the stadium, they say looks like a digital version of the coronavirus. I'm going to show pictures of it, but they may be right. They may be right. Let me show you something here. Some things you missed. Here are the nurses bringing out the beds. I got several pictures of them. Some of them male nurses, bringing out the beds. It almost looks fake, but it's so clear in some of these pictures. This is what they're doing. Highly choreographed. There's got to be 100 beds out there. Start turning on the lights. The lights turn on on some beds, not all the beds. Here it is. They're rolling out. Here are real patients of the Gosch Hospital. where the British National Health Service operates out of. Here in the background, you see real patients. Remember, these actors and actresses on the field here are actually real doctors and nurses. They're real. These aren't fake actors. These are real doctors and nurses. This is what was announced at the Olympics, that all these participants are actual members of the National Health Service

00:51:02 - 00:53:58 | Speaker 1:

as doctors, nurses, and staff. They represent the medical field. From the air, here it is, a little cartoon of a baby's face, the word gosh for the name of the hospital. And many people have said this looks like a coronavirus deal because it does change lighting several times. Now, we have a nurse, an adult, overseeing a child who has a book. We have a nurse reading fairy tales and nursery rhymes to a child. How do we know? Because the narrator said that. Many of the beds light up. It's interesting that the nurses and doctors, they're very natural dances. The dances look natural. There's nothing unusual about them at first. At first. Children are dancing on their beds. Some children stay under the sheets. Some children sit on their beds. Some of the children actually get attention by dancing on the beds as the nurses are dancing. But not all children dance. all it is it's a nice dance routine this is right before it gets dark the nurses are doing natural dances there's nothing unusual about the dancing here's an aerial view during the dance where they arrange the hospital beds into an NH&S for the National Health Service This is an aerial view. And then the ring of, these are other hospital beds that are all in double rings around it. All right, dance routine continues. Now, all of a sudden, the dancing has worked. Listen to me. the dancing of real people in the medical field has accomplished what it was supposed to do. The dancing now put the population of children to sleep. But these children aren't who you think they are. This isn't about kids. This isn't about children. these this is about innocence this is about the human family coming up under a spell each child in each one of these beds represents the human condition the human family represents adults

00:53:58 - 00:54:58 | Speaker 1:

adults who are blindsided having no idea what's happening to them adults that don't even know what the medical establishment is doing to them. Childlike innocence. They don't know. They don't suspect. The children are put to sleep by mask-wearing nurses. The nurses are wearing masks now. Not all of them, but some of them do, especially in the background here under the lights. So we have doctors walking around observing, but there's nothing to look at because the people have been covered in their beds. They've been covered, put to sleep. And the doctors and nurses by the beds do these strange dances where they're basically telling people to be quiet. Be quiet. They're shushing people.

00:54:59 - 00:55:01 | Unknown:

You

00:55:00 - 00:57:56 | Speaker 1:

this is what you think you're supposed to see when you put a child to sleep. Everybody needs to be quiet so the child can go to sleep. That's not what's being done here. The dances are very ritualistic about being quiet and shh. Look at the shape of all this blue color and these spikes. What are these spikes? I'm not the one that first saw that. There's plenty of YouTube videos that show those pictures and theorize what they are. Here it is. The nurse is being very creepy, but they're not shushing the children. They're shushing the observers who are watching. The narrator so well let me let me let me back up so this in in the olympic ceremony the stated focus is on the children but the children represent us we are the children the public the human family subject to the dictates of the pharmaceutical and medical establishment. The dancers, all the dancers, why would the Olympic ceremony not use regular actors and actresses? Why did they need the participants of the National Health Service who represent the modern medical world? Why did they need them to do this role. I'm going to tell you why. Because they've actually cited the Hippocratic Oath. I swear by Apollo, the horse oath. It's the Hippocratic Oath. It adds to the power of the ritual. The nurses are seen in many pictures shaking their fingers at children who dance on the beds. They don't do that to children who are laying in the bed. But those who get up and dance on the beds try to do something with life. The nurses shake their fingers. No, no, no, no, no. Sit back down, lay back down, cover back up. The idea conveyed here is that the servants of Apollo, the medical field, will administer something that aids in putting those who awaken back to sleep.

00:57:59 - 01:00:55 | Speaker 1:

When this is conveyed, it shows this little girl open a book and the narrator switches and says, but some would prefer a bedtime story. and then it shows this little girl with a flashlight an object of illumination looking at a book of fairy tales then jk rowlins rowlins whatever her name is the creator of harry potter is shown on the screen and she reads from a book she references the island of neverland the remember this is important each scene leads into the next they're not independent of each other we just saw humans come from out of a mountain after a reset and repopulate the world and bring technology back to the surface but that but that scene began with this architect guy this benefactor guy telling us don't be afraid of what you see on the island nothing is real here be not a feared this is a dream and when it's over then you're going to realize how bad you want to dream again this is what he said so So, J.K. Rowlands, J.K., now remember in the beginning, he says, be not of fear. The aisle is full of noises, but don't be scared. It's all a dream. Now, J.K. Rowlands says the same thing. She says, oh, this is the island of Neverland. This is the beginning, in the beginning, she says this. so she says it's not large and sprawling you know with boring distances between one venture and the next, it's nicely crammed when you play at it by day with the tables and chairs. It's not a bit frightening, but in the two minutes before you go to sleep, it is real. She's conveying that we're living in a fiction and that we suddenly become more aware of the unreality of our existence in the two minutes before falling into sleep. So, this girl here represents the truther who's trying to find illumination, who's trying to study and trying to realize what's this world really about. This is the individual the nurse is trying to put to sleep.

01:01:00 - 01:03:59 | Speaker 1:

There's J.K. Rylans telling you about the Island of Neverland. Remember the first scene opened with Island as well. And then suddenly come out these, are they demons? We were just told that the construct is designed to bring forth pandemonium. Here's the demons. They're coming out. Look at this nurse. Look at her face. One of the very first pictures of a nurse when the demons come out. Where were the first pictures released when COVID was first announced? What part of the world did we see all that footage that started the scare? Look at this cage with a child catcher on the front. Black horsemen coming forward. The cage. A cage is designed to contain. Here it is. It's coming out. That's a child catcher right there in the front. The big net. The demons go out. They start their dance. Some awesome. It's such an awesome ceremony. You guys got to watch it. The demons surround the people on the beds. A lot of people said this was an effigy of Boris because Boris in the UK caught COVID. Boris was dressed this way one time, but this is actually a character out of some child story, Harry Potter or something. Here it is again. There's the demons. They're doing their ritual. Well, here's something you're going to find very interesting. Do you see the nurses trying to protect the children from the demons? I will say this. There is one scene you will see in this whole presentation. You will see one scene of two or three nurses trying to reach the children, but they're stopped, not by demons. They are literally in the Olympic video pulled back by other doctors and nurses from helping the kids. The free-spirited dancing of the nurses is over when the demons appear. And suddenly, the dancing of the nurses and doctors takes on a chilling turn. They were dancing happily and free-spirited and everything, but now there's the villain from 101 Dalmatians, Harry Potter villain, this guy here, child catcher.

01:03:59 - 01:06:57 | Speaker 1:

now all of a sudden the dancing of the nurses is highly controlled robotic staccato it's very noticeable they look like marionettes like they're being controlled like they're demon possessed the nurses all act the same like they're just demon possessed that's not a light observation. Anybody watching the nurses after the appearance of the demons and how they jerk and move like robotics can't help but see that. Demons in the eye. Here's the air. Here's the pathogen in the air. Demons in the air. Here's the nurses acting like robots. They're not protecting the children. Instead they're just controlled. They're just absolutely controlled like they're possessed. Even their faces are deadpan. All this was... scripted, guys. They had to have known what they were doing. Demons jump on the beds. Some children have come up missing. They're not on the beds anymore. They must have had trap doors or something where they dropped underneath the stage. Look. Look at these nurses. Zombified nurses. Look at the people. I say people. Look at the children. Remember, you're not looking at kids. They only used children. This is the human family on hospital beds. Looking around like, what the hell's going on? Now, this is where it gets crazy. The black shadows are demons that hurt the human family. Guys, what you just saw was COVID-19 play out, whatever that was. But the appearance of a troupe of Mary Poppins is a direct reference to the vaccine. I know that's chilling. Many articles have been written about the connection to the song, A Spoonful of Sugar, being connected to the polio vaccine. Mary Poppins is fantasy, and the real agenda here is to keep humanity asleep using technology. Mary Poppins, this isn't magic, this is technology. Here comes Mary Poppins to the rescue of the human family. The nurses don't protect the human family. It's conveyed here, Mary Poppins does. She drives the demons away. That's a real, you got a real Mary, she really looks like Mary Poppins there.

01:06:59 - 01:09:57 | Speaker 1:

Or what Mary Poppins would look like. It's Mary Poppins, guys. How'd that happen? Let me show you how it happened. Let me show you how it happened. Let's see. So, what do we have here? What do we have here? Oh, I got the wrong one. That's a torch. Let me go to Python file. In the Python file, we have this. The bizarre backstory behind the Mary Poppins song, A Spoonful of Sugar, has direct ties to getting vaccinated. Mary Poppins story came out in 1926. 1926 was when the Mary Poppins story came out concerning the vaccine. But I have something a little bit darker to show you. Mary Poppins came out in 1926. But in the 1890s, there was another Mary that was very well known and it's connected to the Phoenix phenomenon. Her name was Typhoid Mary. That's right. Typhoid Mary, a prisoner. After she killed several people, she became a prisoner on New York's quarantine hospital. Typhoid Mary. Y'all can look her up. Typhoid is very similar to Typhon, which is a Greek name for the phoenix. Just something curious. Just something a little interesting. That's all. Let me check my chat. Let me check my chat before we move on in. Remember, the kids on the hospital beds, it was never about children. It was never about children. Those kids represent you and I. childlike innocence never once even considering that the pharmaceutical world would attack us yeah that's right there that's what it was huge ritual huge ritual what makes rituals so powerful is the fact that they contain truth you just gotta shift your perspective to be able to interpret it When you watch the Olympic ceremony video, knowing everything I'm telling you in this video, it's all going to it's going to get flash burned in your mind because it's so compelling.

01:10:00 - 01:13:00 | Speaker 1:

all right let's see here let's do it again let's get to this next the next ceremony that was i've already i've already shown you act one the re after the post reset repopulation of the world and the building of the infrastructure. Scene one. Scene two. Scene two was the attack of Apollo Pharmakaia on the human family. These were the sacrificial victims needed for the larger ritual of releasing Apollyon from his prison. All right. Now we move into scene three. Oh my God, what are we going to see now. Let's check it out. Scene three is a carryover from scene one. Scene three is about two things that changed the entire world and it's conveyed in the ritual that it was intended to be that way. Scene three is about the introduction of the internet and the cell phone and how they broke all the racial barriers and how they broke all the cultural and national barriers and how these technologies were needed in order to bring the five rings together. That's how it starts. Really good. Guys, like I said, my presentation does not give it justice. These are some fantastic scenes. You got to watch them to get the full effect. Here it is, modern day society. Here it is, Caucasian woman has a black son. This is the theme of almost the whole thing. Here it is, her father of old white dudes watching TV and he sees weather news with Michael Fish. And on the news, it specifically shows that such and such has reported a tornado. And then the news flashes over and shows that it's not even raining outside. There's no wind, there's no clouds, there's no tornado, no tornadoes coming at all. But it's just basically showing you how BS the news is. Now, we have a cloud burst of rain over a house. This house is very unique. This house is your home. And this home takes on many forms in this ritual. She didn't even know she left him outside because he's busy on his phone and she's inside taking care of all kinds of things. He's watching TV.

01:13:02 - 01:16:01 | Speaker 1:

And it shows over and over that the world has become very separated as well and impersonal. People are communicating through chats. People are communicating on computer. it even shows the whole family together sitting in a room and not going out and doing anything over and over communication is done online when she opens up the window she sees hundreds of people with their cell phones all looking at her like she's on stage he's playing a video game it says 2012 in the game this is just a bunch of dance routines I'm about to show you a bunch of dance routines and these weird-ass things dancing around. I don't know if they have something to do with medical or what. These are weird deals. I don't know. This dude's creepy as hell to me. I know he's a famous actor in England and all that, but I've never liked his facial expressions at all. But, yeah, over and over, this is what it's showing, the takeover of the Internet and cell phones, and you see scenes like this. One of the subject matters on my channel, guys, is explaining to you reality tunnels and how reality tunnels are holographic programming that our personalities living in these avatars are subject to. And that whole immense populations of people are traveling down reality tunnels. They don't even realize they're carefully constructed for them to live in. And that the truly awakened, spiritual, highly individualized soul, the truther is the one that steps out of a reality tunnel and finds more things about about this world yeah the prodigal son is never the one that stays in a reality sun a reality tunnel a reality reality reality tunnels are for the collective they're for dungeon programming that's what this is right here this this ritual shows it perfectly it shows everybody just happy and giddy and they They have no idea that there's life outside that tunnel. This is what they're doing. It's a ritual showing you reality tunnels and how the media is designed to create reality tunnels that you will accept, you will enjoy, and that you will participate willingly in dungeon programming. It's all here. Again, it's just a massive amount of dance scenes. they have messages but it's the lyrics of a bunch of these songs this is supposed to be the peace anarchy sign but you know what it's really the broken man this is the symbol for the broken man mankind has become broken by all this disingenuous technological techno stuff this is of all five of the major scenes I'm showing, we're on the third one here this is not one that's very popular with me

01:16:01 - 01:19:01 | Speaker 1:

shows them in costumes also shows them wearing masks it's pretty interesting stuff but this is really interesting here it's just not it was a real simple message this one but it ends with a banger It does end with the banger. So, the cell phones contributed, you know, to the making of humans inactive in a digital reality where their minds could be more easily managed. A lot of people today are not living in the real world. They're living in the digital universe. And this is why the rumor mills, this is why the fads and all that, all the things that are trending, these are designed to ensnare you. Real truths aren't really made popular. Look at me, Archaics. Got some compelling data, compelling data sets. I got amazing material, 740 videos on YouTube, another 150 on Archaics TV. And I've never, ever had a single video go viral. It's because the truth isn't promoted. It's all the fantasy and the falsehoods that are promoted. And like my shirt says, you know what? I'm cool with that. I'm cool with that. while these dancing and song and rituals going on you there's some really interesting lyrics to songs what the lyrics to the songs are like better think of your future i heard that one also heard is this the real life is this just fantasy caught in a landslide no escape from reality i know i sing terrible on that isn't that freddie mercury no escape from reality and then back to life back to reality it's a pop song then sweet dreams are made of these who am i to disagree your rhythmics from the 80s it's a classic another one i wake up every day is a daydream. That's what he said. Oh, it's a rapper. It's a black rapper from the UK. He says, I wake up every day in a daydream. Every minute of my life ain't what it seems. I wake up just to go back to sleep. I act real shallow, but I'm in too deep. Man, I wrote some of those down. You can listen to them. You guys are going to pick out way more than I did. This is a overview. It's an overview, but it's amazing. This whole thing ends though. It is. It shows it's your house. Remember, this is a house and the whole, this whole entire skit shows this house and this house is showing your world. Your world is digital. You are living in a digital reality. That's what the message is of this entire deal.

01:19:01 - 01:21:59 | Speaker 1:

that's what it is look at that party my house now they even put they even put the the code in there so for you to understand what they're really talking about yeah here's the guy here's the guy that said that uh i'm gonna read that again i can't say it like he did but you know what i don't even like rap but i'll tell you what that song is catchy as hell i wake up every day is a daydream Every minute of my life ain't what it seems. I wake up just to go back to sleep. I ain't real shallow, but I'm in too deep. I don't even know how he said it, but it's badass. And you need to listen to it. Here it is. He's going off. His whole song is pretty cool, but those are the lyrics I picked up. So after he's done, after they're done with their music concert, it shows this scene here. There's the house. That house has been showing you your digital life. There's your house. Digital life. Now the house is raised off of the ground, floats up in the air to reveal this dude sitting at a desk with a computer. This dude right here. Once the house is removed, it shows what the house has been made of. Sir Tim Berners-Lee, the inventor of the World Wide Web. They actually introduced this dude right here. When they lift the house that's been showing you your digital universe, here's the guy. Do you think he really invented the internet? Probably not. It's probably intelligence off. I don't know. But that's how they ended the video. He got up and gave a standing ovation. Everybody clapped for him. And in the background, it says, this is for everyone. And there again, the house is showing some really weird spider webs. Isn't that weird? Isn't that creepy? This is for everyone. It's all in spider web now. I don't think it was talking about Spider-Grandmother. And at the end, it shows there's the house again from an aerial view. There's that house on the stage. It's creepy. Beautiful pictures, though. The pyro, the, the, the, uh, all the, it's just amazing how much light he, excuse me. Another beautiful picture. And that scene's over with. And that was like the weakest of all the scenes to me because it was just common sense. It was easy to interpret. This next one, this next one's kind of weird. This is still the house, still showing different stuff. Kind of went really weird. Oh, look at this. Look at this. Do we live on a globe? I'm not trying to get into the controversy. But everything the house has shown us has been to be a falsified version of the truth, a digital reality.

01:22:00 - 01:24:57 | Speaker 1:

Well, now it's showing us the globe. All right. This is just more pyrotechnic scenes. There he is at the very end of the skit. All the power went out. Blackout. all the power went out in the stadium total blackout the guy who invented the internet and spent all this time on the computer is now sitting looking at a blank screen and his in the world around him has vanished two years ago i did a video explaining probably what's going to happen when we have a systemic infrastructure collapse and people all around the world realize now that they're no longer connected to other people uh people are going to realize very fast people are going to realize very fast the lost give you an example i'll give you an example i offer these drives all the time to tell and i encourage people hey you need to get them and i've sent many of them free but in a systemic collapse when you no longer have access to books you have no longer access to information now now you are you are on an island far from everybody else you can no longer communicate there's no more facebook there's no there's no more there's no more twitter there's no more communication that gratification is over with that feeling of comrade whatever whatever you call it it's gone the only people you can talk to are those that are in your immediate environment within walking distance it can happen in an instant the end of that the end of that ceremony gave that impression that we live in a digital universe it's blue it's beautiful and while it's working everybody's happy and look at all the things that are going on the whole thing conveyed that but at the end shut the power down now look abject loneliness in my video i explained when that happens there will probably be more suicides than any other time in the history of the world alright we're not done not done oh let's see DLight says, but do they want that really? I'm not so sure. I'm sorry, DLight, but when there's a total systemic infrastructure collapse, I'm only talking about the surface world. The elite will always have their underground facilities fully stocked, fully provisioned, generators, alternate sources of power. Yeah, they don't apply. I've got many videos talking about that. I'm talking about the surface world.

01:25:00 - 01:28:00 | Speaker 1:

now we have to go on to the next part you see that was scene 3 we got scene 4 and scene 5 and we're done so let's get to scene 4 it's a rather short scene alright this is how it starts beautiful So beautiful. Look at that. Uh-oh. What's going on here? This is how it starts. All right. Scene one. Post-reset surface world civilization. All they have is traditions, nursery rhymes, stuff like that. No infrastructure. Not to think of. Manual labor living off the gardens and agriculture. and their civil their their culture is interrupted by technology but the technology comes from underground out of a mountain by a people who already know how to build everything and do all kinds of things and they come up and they do that scene one scene two pharmaceutical companies attack on the human race scene three how the internet and and the cell phone altered the dynamic of civilization completely and that how the civilization now relies on these things. And if that sort, if those sources are removed, what, what it's probably going to cause it's inferred now. So scene four, what does this look like? It looks like the sun to me, but it's not an ordinary sun, as you're going to see in these pictures. Because all these obscure dancers, when the lighting comes on, it's a red world. It's not like other worlds that are presented in these ceremonies. This world is red. This world's not only red, but it's dusty. It's red dust. Night of the Comet, anyone? what's the Mars invasion from Mars Tom Cruise with a red red, red, red vessel spit the red, look at this if you think I'm exaggerating about the red dust, look what the dancers do you can't make this stuff up red dust has hidden the sun if you're new to my channel You need to know I have over 100 videos concerning the Phoenix phenomenon and how red dust particulates block out the sun and the moon and create all kinds of phenomena on Earth. Here it is.

01:28:00 - 01:31:00 | Speaker 1:

Oh, look at this. What's going on here? Pay attention. Pay attention. This is a real short skit. Pay attention. Oh, my God. Coming out of this world. coming out of a world that has been filled with the red dust coming out of the world of the sun darkening is a child again you need to remove the idea that this concerns a child there he is he's running he's running he's escaping something I'm telling you now that the interpretation of the Apollo pharmakia, of the nurses, doctors attacking the human family in the symbol of children on hospital beds, those were us. They're just ordinary people attacked by Apollo pharmakia. They're ordinary people. Therefore, by extension, this little boy does not represent children in this ritual. He represents whoever came up out of this Phoenix event. Remember, in the first ritual, the builders danced the routines and the people then built a world according to the dance, the dance instructions. coming out of the Phoenix Phenomenon Reset here's these dancers like I said this is a shorter routine coming out of the Phoenix Phenomenon Reset now they get more organized They're not all disjointed now. They're highly organized. Look at them. They're getting real organized. And she sings during this dance routine. There's the symbol of resets right there in the background. That's the bell for whom the bell tolls. This is the ultimate reset symbol. She is singing a harrowing song. Some of the lyrics, change and decay, the world passes away, comforts cease, like, beware, the change is coming, you can fly with me. It's a very sad song. It says that heaven is mourning. There's another lyric in the song or a stanza in the song or verse. It says, in life and death, O Lord, please abide with me. and through her song

01:31:00 - 01:34:00 | Speaker 1:

all you see is a world of red dust they keep throwing dust up blockings the sun so I'm telling you now that the child the child that you see that you saw is are the human survivors of the phoenix phenomenon who came up out of that time you know this anybody who follows my channel you know that is May 2040 the breaking of the sixth seal in this new world this guy emerges in this new world this guy emerges and the builders of this new world they all they all defer to him it's just like the post reset scenario of the first scene where the guy in the top hat with the cigar was the one dictating everything and the builders deferred to him, the other top hats. This guy here comes and approaches the child. He approaches surviving humanity. He performs an elaborate dance. he takes something from the child's hand it's not something real it's like the child gives him something in the air but they're not really giving him anything it's like taking his trust taking his soul he's entrusted him with his soul the builders are finished in the background and now he goes into a highly ritualistic dance holding and turning the object of what this boy, this little boy gave him something in his hands. And he's doing a dance, forging it into something matured or something different. And the boy's watching him and tries to grab it once or twice, like he's not so sure, and he's trying to take it back. And in the end, when the dance is over with, the guy, the guy, the new benefactor tries to hand the boy something. But instead, the boy reaches out and doesn't take what the benefactor is trying to give him and instead just latches onto the benefactor. the boy post-apocalyptic post-Phoenix reset is picked up which is the symbol of being taken from the ground and he is taken among the

01:34:00 - 01:37:00 | Speaker 1:

crowd of the builders and at the end the builders defer to the boy who represents a whole new humanity post-reset. Alright. That scene is done. That scene is completely finished. Oh, the screen share wasn't on? Damn! Let's do it again. You know me, I'm going to do it again. You guys ain't going to miss that. I can't believe I didn't have a screen share on. I should have never turned it off. All right. I was in my zone. I can go through it fast, though. You've already heard the descriptions. You've already heard the descriptions, so I don't need to do all that again. So let me show you the pictures real quick so you can see what I'm talking about. You've already heard the story. alright real quick there it is the opening scene there's the sun we'll go through these pretty fast there's the sun and all of a sudden a red a red dust starts appearing the red dust gets thicker and thicker red dust gets thicker and thicker then the red dust is everywhere it blocks out the sun blocks out the sun again during this cataclysm there's a boy that runs out this is the phoenix phenomenon may of 2040 after the cataclysm the boy right here running is escaping this is post reset humanity just like the first scene This isn't representing a little boy. It's representing a new human family that the survivors of a world that has been erased. He's running, though. He ain't got nowhere to go. He's got nowhere to go, but he's running. People, populations are migrating. They're trying to move around. They're trying to find somewhere else to live. And the builders kick in and start building a new world during the reset. and they're disjointed they're scattered

01:37:00 - 01:40:00 | Speaker 1:

they're doing different dances they're trying to figure out the best way it's all scattered toward the end of their labor they come together they've decided on a new world plan and here it is they're building a new world after the phoenix phenomenon the decision is made it's done. They got their arms spread out like phoenix wings. She sings a harrowing song. I just told you about the song. A song about a world that's been destroyed. A song that the people are just asking God not to forget them. There it is. The world builders. And then the world builders disperse into a ring and they observe this guy. This guy right here begins an elaborate dance in the ring. He has the attention of the boy. This is him. remember that's not a little boy that is post reset humanity after the phoenix phenomenon the sixth seal on the olympiad system the 144th year of the olympics modern olympics that young boy comes out of the phoenix phenomenon he entrusts this stranger with something important to him and the stranger takes it and begins to build something with it. His dance routine is of somebody building something with what the boy had in his hand. There's one or two times when the boy expresses doubt and the dance continues and the boy tries to take his whatever it was, soul back or whatever, heart back, I don't know. The boy lunges and tries to take it but the guy keeps dancing and at the very end of the routine he tries to hand the boy what it was, the finished product of what he forged. He tries to hand it back to the boy but instead of taking it the boy just latches on to the benefactor himself and when that happens the benefactor takes him from the world that's the symbol of lifting him off his feet he lifted him off his feet and the boy became a part of a

01:40:00 - 01:42:57 | Speaker 1:

a totally different family. That was the end of that. All right. So we have one scene left of the opening ritual. Let me check my chat real quick. I know this has been a long video, but I told you it was going to be long. All right. Okay. Now. Let's see. Okay. The Golden Child. Man, I ain't seen that movie in forever. In forever. Okay. Let's get to the final one. You guys saw those pictures, right? I was sharing my screen. I know you saw those pictures of the dance. I'm just looking at my chat. Somebody answer me. Okay, we saw. Thank you, Riyad. All right, let's go to the final one. Encore presentation here. Let's do it. All right. let's see what we got in store for y'all here oh this is going to be short but it's powerful the pyrotechnics all right okay this is in sequential order guys these scenes are in sequential order you just saw in scene in scene three the technologically advanced world of the internet and the cell phone and what it did to our society and how and how and how it's going to end in a total blackout that's what that scene was about it's going to end in a total blackout it's all there the total blackout is probably caused in may of 2040 it may happen a couple times before then but the total systemic blackout i have been publishing this since 2009 on the phoenix phenomenon my first published book when the sun darkens i even set it in there it will be a global worldwide almost a global a worldwide blackout the phoenix phenomenon is going to take down the infrastructure now that's what's in that scene and then we have the phoenix phenomenon scene and showing the young showing a younger humanity surviving out of the ashes of the phoenix may of 2040 here's humanity uh the boy comes out into a whole new world this is really interesting

01:42:57 - 01:45:57 | Speaker 1:

because the final scene is going to is going to reveal to us what that world's gonna be like after 2040 and it's precisely what i've been telling you guys for four years right here on youtube i have cited every vapor canopy book by scientists that i have been able to find i have a video that cites four of them and i give you the information about the vapor canopy all the references to vapor canopy that i have found in native american traditions in different legends and myths around the world on the titanomackie and the difference between titans and giants and normal humans while that was possible the akambaro artifacts the ica the ica uh museum library of peru all these artifacts that show the uh the the vapor canopy scenarios the architecture and the megafauna all come from the vapor canopy period. And here it is right here in the 2012 London Olympic ceremony. We have pyrotechnics that show a massive destruction. We have the world simulated here. We have this huge destructive, it's like, it's like missiles. It's like, it's just like they're trying to simulate destruction. I took a bunch of screenshots, but I didn't, there's smoke in there. I didn't get all the techniques down. There's a bunch of them in there. It's like, look at this. It's overkill, but it's all over the world that they built there. It doesn't go high in the sky. None of these go high in the sky when they're showing this part. It's like the destruction of the world. Look at this. So the Phoenix phenomenon is like the collapse of the world. You have this. Remember, this is what they're simulating. when the phoenix phenomenon happens in may may of 2040 we are told in revelation chapter six that the stars of heaven will fall this is what they're showing this is what they're showing the sun goes black of sackcloth of hair the moon turns red oh The elite hide in the caves and the mountains and the rocks. And when people look up at the sky, it looks like the stars are falling. And there's a great earthquake that shakes the entire world. Here it is right here. The stars are falling. This is what they're showing. but this is only this little display is only preparatory to what's about to happen inside this dome or this arena here's just more pictures of the pyrotechnics the opening ceremony literally ends man I took a bunch of pictures of this guy

01:45:57 - 01:48:57 | Speaker 1:

trying to get through these man when are we going to start this is all the intro to the final part all these pyrotechnics happen right before the world goes dark here's when as soon as the pyrotechnics are over this is what you see you see these winged glowing winged people coming out from underneath the stage do you see the color of the new world the color of the new world and who's emerging from it look at the color of the new world people are represented as winged why are they represented as winged are people going to sprout ring wings absolutely not you are looking at a representation of the vapor canopy world that follows the phoenix phenomenon you are looking at a representation of humans who are going to take on new abilities This is what the symbol of wings were about. Just like in the ancient Near East, just like in ancient Egypt, when you saw anthropomorphic images of wings, it did not mean these things could fly. It meant that they had additional abilities that normal humans did not have. Here it is. This is a picture of the vapor canopy. and in this picture of the vapor canopy, you just can't miss the reset bell. It's right there at the top. The Chime of Doom. They're still coming out. Really awesome costumes they made. Here's the vapor canopy world. they set it up nice got the divine mountain in the middle surrounded by lush forest they did an awesome job awesome job beautiful costumes that's the vapor canopy world told you the phoenix phenomenon

01:48:57 - 01:51:53 | Speaker 1:

creates and collapses vapor canopies when those vapor canopies are collapsed we end up calling them great floods you know they had fun filming all this you guys have got to watch you've got to experience this with new eyes take the things that I said in this video and go watch the original and with the music and the narrator everything's going to click you're going to go wow this is absolutely amazing the vapor canopy here's something really weird this is the vapor canopy period and in the middle of the vapor canopy period we have the emergence of this person what? I do believe that's Apollo There he is again. How interesting that the reset bell is right below him. Welcome to the new social media for the Freethinker. The platform for those who do not identify with the collective. Archaics Underground. Explore the 30 plus galleries and spaces and interact with kindred souls all over the world. Some in your own community. Meet others in Errant's chat underground. See or report what's happening in your part of the world. Find others that are close to you. See services and advertise your own in Errant's personals. Chat with others and share paranormal experiences. Review the massive posts on deep and revealing movies and music that drop real secrets about our world. And look at the health and wellness posts for tips and helps on the human body. You will find hilarious and thought-provoking stuff in meme warfare. Look over and even contribute to the 2026 Isometric Analysis Project and check out the tips and post in post-reset pantry and survival tips. Some of you will want to join the Archaic Sentinels as we take deep dives into other content creators' paywalls and search for evidence of integrity or grifters lifting others' content. Explore the audio files of Archaic's videos and watch the library of Archaic's videos that are not on YouTube. Look over and download the fascinating old books of the Underground Vault Library, or dive in and read the hundreds of articles, posts, and transcripts composed in my decades of research. Review the detailed Archaic charts separated by topics easily followed, and read and contribute to the massive library of powerful quotes.

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