Yeah. You know, there is such an innocence and there is such an ability, and especially if you don't talk down to kids, you don't talk down to children who are acting in your movie, but you treat them the way my mom raised me and my three sisters. She treated us like peers. My mom is more a peer than a parent. And I want to be a peer to a young person, not a parent slash director to that young person. You treat them like little adults. And you let them tell you what they'd like to do in a real life situation. Because young people are able to imagine, better than older veteran actors, they're able to really teleport themselves into a real situation. Even though it's all made up by writers and the lighting and the special effects, to them it's reality. And sometimes they've got the best ideas of where to take their little personalities. And so I've just been really open with young actors and I rely on them to help form their own characters without me giving a lot of direction. With Drew Barrymore, I took some of her improvisations because she would just talk to E.T. all the time. She'd stand around as a six-year-old talking to E.T. when he wasn't being operated by the puppeteers, and she'd just be talking to them and telling E.T. about her punk band that she had and the rock and roll tours she wanted to be on when the movie was over and her other aspirations. And she'd make up stuff that I would use in the movie. Um, you know, there was a scene around a dinner table where, um, Elliot and Michael are kind of not getting along and, and, uh, and Michael's teasing Elliot about, because Elliot says, I really saw this creature was, he was really in the woodshed out behind the house. And Michael says, well, maybe it was alligators in the sores. And I saw that every time he said it in the rehearsal, Drew was mouthing, alligators in the sores. So after a while, I said, Drew, everything he says, just repeat what he says, because you know you want to do that, don't you? You're doing it right now. So every time she repeated what Michael was saying, that's true. And you kept that in. I kept all that stuff in. She walked over to E.T. one day in a scene, and she said, I don't like his feet. And she meant it. And so I left that in the movie. So with young people sometimes, and also with actors, with adult actors, you let them help you find their characters because we can't do it all. I'm not an actor. I know what I think I want. But when an actor lands on something, it convinces me that, oh, I want that instead. You got to collaborate. This business, it's a collaborative medium.