wanted to include in the record. Some people shared their occupation, maiden names, the cross streets of their neighborhood, or even a story about their lives in the village. Today, I'd met the homecoming queen, who'd been crowned the year I was born, the family that bought the cider mill a few seasons back and the boatwright who'd built the rowboats moored at the inn's dock. And speaking of the inn, the innkeeper herself had come up with the idea for this project. Something about a cache of pictures and documents she'd come across somewhere and how she wanted to add our contemporary villagers to it. She was the one at the table, taking down names and ages, in fact. Her portrait had been the first I'd taken today before a line formed. One with just her and her cat Sycamore. and another with an older man with a mustache and a very good-looking person in a chef's apron. Sycamore had gone back to the inn with the other two, and the innkeeper stayed to help make records of our photo subjects. As Crumb's parents looked over their pictures, I welcomed two more people onto the bench. Now, families come in all shapes and sizes, and I found it better to let people tell you how they related to each other, rather than guess. And most people did offer up details as they posed. And these two had strong sibling energy, but didn't look a thing alike. Late thirties, early forties maybe. Him with thick-rimmed glasses sitting across striking patches of vitiligo on his cheeks. His shirt was crisply ironed and his shoes freshly shined. Her with combat boots and an orange Gerbera daisy tucked behind one ear.