Yeah, he's in trouble. Yeah, the kids in trouble. Now when you're in a place where there's nobody else around and oh, this is my personal lab where I come to tinker. Like, oh, this kid's in trouble. He's in danger now. Now. And again, I still it's funny because I really was not thinking Sinister. I was thinking demonic type of stuff. And I was thinking this is going to be the gateway to hell. And I'm like, kid, you're in trouble now. And I loved how he's just laying it out even more. And and again, he's like, oh, I trust you. You're in this inner circle. I completely trust you now. Like, no, he completely has you under control now. Yeah. Yeah. You know, it like you said, he's starting to wreck, you know, the you know, his spidey sensor starting to tingle. He's like, something's not right with this guy. I'm going to leave. Oh, I just got a text message. And it really was just a reminder to return some library books. He's like, yeah. Oh, no. You know, Sinister knows like, no, this is a dead zone. Sinister knows the kid's lying. He's like, you're not leaving here, you know? And he's like, oh, yeah, I've got the elevator on a bio scan. So you can't physically leave here. It's like, oh, man, this is just the classic villain mode, you know, moments. And I love how they're starting to change the I don't want to say change how they're drawing him, you know, yeah, but they are starting to make just the the the the little slide looks and just the way the grimace on on Exo's face throughout this, you really now see him as the villain. The art team, you mean Xenos? Yeah, Xenos. Yeah, sorry. You know, you're really now seeing the villain side of him before you kind of saw him as the friendly, good going lucky. Hey, you know, yeah, I got some big horns on my head, but I'm a nice guy. You know, now you're seeing the sinister starts to come out. Now you're starting to see just the way he grit, you know, that that evil grin, you know, that he's got going on. I love how the art team changed over their styling of him. Exo, you know, they're showing him like the, oh, I think we got a problem here kind of look on his face. This for me was a great art team working with the story, shifting how the guy looks, shifting how their pre... presented, you know, to let you know, yes, this is a bad guy now.