Yeah, and then the marker on his face. It's a sleepover film. A lot of people don't know that, but it's a sleepover film. It's funny. It's a lot of laughs. I think you'll enjoy it. I mean, it's really weird to compare. There's no reason why in any universe why one would compare the French Dispatch to Dune, right? Other than the fact that they happen to come out on the same weekend. They're both Timothee Chalamet vehicles in a way. And I happen to see them both within two days of each other. And, you know, in all seriousness, I don't I don't want to take away anybody's experience. But it's amazing how, like, the Wes Anderson, I love, like, you know, visually speaking, it is so amazing to watch. If you like Wes Anderson, it's amazing. But, like, it is also funny how it doesn't, you know, it feels like it doesn't make you feel the way other movies make you feel. It's like some of his films do. Like, I think that Royal Tenenbaums for me, I feel like that one has a lot of, that packs a big emotional punch. This one, you know, by the very nature of its latter-day Wes Anderson, I shouldn't say that, maybe it's middle period Wes Anderson, we have no idea, but, you know, he's well into his career and his vibe and his style, and the nature of this story being a bunch of little stories within, like, it's like, as I think Genevieve said, it's like seeing a really amazing dollhouse, and it's like, yeah, it is. It's like it is so damn cool, you know, but somewhat lacking. And I think it even I think the movie even in one scene that I won't talk about here, I think just a little bit of dialogue makes me think that Wes Anderson actually addresses the fact or is kind of acknowledging the fact that he keeps emotion, at least in this film, he keeps emotion kind of at arm's length a little bit. Right. Like it doesn't. And again, there's no reason to compare that to Dune as if I'm saying Dune is some like the romantic moving, you know, the emotional movie of the year. But it is they are so different, but both so lovely in their own ways.