That's great. Just a couple of simple vows, which I will write myself. I wanted to tell you quickly, though, talking about disassociative, and I know I've told this story before, too, but the very, very first time that I was on a real radio station, not like the stupid college show that I did on a station nobody listened to at 4 a.m., but I was working as a college student at WKSU, which is a real radio station. It was the NPR news and classical music station for the for Northeast Ohio, like, you know, covered a big chunk of Northeast Ohio. And I was a producer there for a long time doing various things. And then I think I've told you this before. I lived very close to the radio station. And as I gained more and more kind of, I guess, trust of the people who ran the station and my bosses, they would ask, you know, they would ask me to do things that required more responsibility. And I loved it. That was my trajectory. And I was very proud of that. And one time I believe there was some issue going on. It was very late at night, I think, maybe before midnight, but getting pretty late. There was some issue with the audio signal. I can't remember what it was. Maybe there was something going on where our internal classical music automation wasn't working. but all i know is i was listening to the station i identified the problem i called some program director it might have been eric newsum probably was uh somebody that you know luke professionally um and he was running the station at the time and he said okay well then what you can do is why don't you go on and i'm sort of filling in the gaps here a little bit because i can't remember what the original issue was we were still broadcasting but there was an issue and i had to switch feeds i think maybe like take it off of our local classical music feed and switch over to a 24 hour national feed that was probably provided by American public media for whatever that's worth um thanks guys uh and so anyway he said so why don't you go over to the station I can't remember how I got in I don't think I had a key but somehow I got in said go over to the station and um just Let's make a quick announcement, open the microphone and make a quick announcement saying we're having technical times and we're going to switch over to some other programming. I'm like, OK. I mean, Luke, I'm talking 10 seconds or less of me ad-libbing something, right? And I am so nervous and I go into the studio. I mean, I cannot believe this is happening. My big break, right? I cannot believe this is happening. So I go in there, but there's not much time for me to like really mull this over either. So I go in there, I pull the microphone down, and I say in the most shaky voice you can possibly imagine, we are having technical times. We are now switching over to Classical 24. Maybe PRI distributed that. I can't remember. Anyway, I'm like, oh, my God. Okay, I did it. I did it. Was it as bad as it feels? Was it as bad as it feels? and somehow i think i got a call from my boss whoever it was at the time saying well you sounded a little off mic but you know it's fine you switched over it's not a big deal