meet like real muppets like the real characters is you never ever you don't ever see them and and and they're not in character you never see them like just laying in a box like you never see them even when they're out of the box and there's an arm on them they won't just like be there with like a person another person's voice coming out or like just dead on an arm like Like, there was something that Jim Henson, he had a rule that either him or, like, Frank Oz or whoever, the early Muppeteer puppeteer people, they all had some sort of rule that if the puppet is out, if the puppet is up, that's a very common, like, in the puppet production world, you say puppet up, and that's when the puppets are alive and up. It is a lot. They are in character. So it was, like, a big, I think, part for him of, like, just maintaining the world, the reality of the world, and, like, making sure that people believed that Muppets were real and were, like, to establish the character. and i i i also like when i first started doing puppet stuff i was like come on like this is so cheesy like why are the why like like can you just talk to me with your real voice please like like you know like being a little frustrated or a little annoyed by it but now like after it's been many years i'm like i'm like no this is just how it is and this is what it's supposed to be and it is when you're shooting actually awesome because if julia we drive this hadn't swear thorn on those uh in that in that uh outtake they could have also used that material so they could have they could have used that in the show if they needed to so it's great in some ways because you get a lot of extra footage that sometimes when you're rehearsing with puppets like it's really hard to get them to because puppets can't they can't like reach for something grab it and then pull it away you have to plan every tiny little thing and so sometimes when it's just people playing in between shots that's the best stuff you're getting because there's no nobody's