and the guy I was interviewing could walk, and he could film it. But behind him was the cliff. So I see this poor broadcast associate kid who's just like, I could tell that he's like, I don't want to fall down that cliff, but also I'm trying to do a good job here. So he used to be like crouching on like the most precarious little thing. And it was a really interesting thing to get to be right up close and personal with the sign, but it was a little sketchy. The bigger problem, Andrew, was my plan when I went was to wear a ball cap, which I don't usually do in these shoots. But I thought, you know, this is the weather is really hot out here. Also, by the way, no one brought water, which was a bad plan. Well, some people brought water, but the producer didn't bring any water, which is often kind of the kind of the job of the producers. Like, let's make sure we're all hydrating. Let's grab a flat of Dasani or something. So there was kind of like no water up there. But I was like, I got my ball cap. I'll wear that. That'll keep the sun off of me. I'll be fine. That was my whole plan going in. And I go to put it on and the producer, my friend Jay, goes, oh, that says the Paris Review on it. And I was like, is it OK if the viewers know that I at least pretend to read the Paris Review? Like, can't that be a flex? There's all kinds of magazines and publications I pretend to read. Exactly. I mean, I really thought, so I had two hats here. I had a Chicago Blackhawks hat, which the actual logo of the Chicago Blackhawks is something that I feel like is pretty touchy. It's a sort of Native American icon, and I just don't really know about, it's not something I'm going to wear on my head, even if it's, you know, been deemed okay or something. But I did get this hat at the Hudson News. It's like a couple of feathers. So it's not like the full Monty of questionable appropriation But it's a side of questionable appropriation So I was like, I don't want to wear that on television But I was like, what do you think the overlap of Sunday morning viewers And Paris Review readers Or at least people who pretend to read the Paris Review What do you think that overlap is? And I would assume it's pretty big It could have even been a tie-in Partnerships, synergy, look to the future Vertical integration right rock blocks wait so then thank you So there was a PR person named Shelby who was with the PR firm that represents the city of Los Angeles, and she had on a Dodgers hat, L.A., and the producer goes, could you actually wear that hat instead? And I was like, and then look like a Dodger fan? Hell to the nod. Thank you. McLemore, take a note. I'm not anti-Dodgers per se, but I'm not going to wear a Dodgers hat on national television and be like – And also, I was like, you know, if we're allowed to promote the Dodgers, why aren't we allowed to promote the legacy of George Plimpton?