Yes, I bought the kind that is, you know, actually both sides of the Velcro or the, excuse me, hook and loop technology are both, they're both sticky. So, and I just cut little sections and I, it's not hemmed and it would be nicer if it was. So it's, the fabric itself is doing the job. It is a little bit like, if you were to look at the extreme edges of the fabric, you could see that it's like, it's been cut by like a nice pair of scissors by the fabric person at Joanne. And it's not like I didn't go to all the trouble of hemming it and everything and making it super duper nice. But it's for right now doing the job. Mostly what it means is that the guys that are working here, not today, but at some point, and hopefully for the rest of their lives, the guys that come out here and work. I had this weird thing in my mind, which was like, these folks, to the degree that they understand that I do a podcast, it must just be a weird thing in their mind to be like, this guy? okay so his job because they're like we've met him we've talked to this guy they're paying him to talk people are paying to listen to him and so it became somehow important to me that the appearance of this studio I'm in look legit to the people that are coming here to do work so as to somehow solidify the legitimacy of me as a broadcaster I don't know if that makes any sense the idea of these guys building a deck on the side of my house and then looking up and just seeing this wild tangle of cables and them thinking, huh, this doesn't seem real legit. One of the first things I did was went to join Fabric and got this black material so that if Jason is out there working, and Jason who gave me an awesome John Prine poster that matches my tattoo, by the way, which is a whole other story. If Jason looks up here, he goes like, yeah, it looks legit. I guess maybe this guy is a professional podcaster.