Well, not in that moment, but I do like that in a different part of their book, they talk about how there are stories of some of these brother duos, like the Coen brothers, who just show this incredible talent early, and they said, we did not show any of that talent. The first movie they made as kids because their parents got a video camera was Karate Master. There was really something going around in that era, I think, because everything that Peter and I were making, a lot of it revolved around martial arts as well a lot of karate films happening uh by white kids who didn't really know karate but um uh i i i don't know if they were drawn to the coen brothers because of them being brothers or just because they love that kind of filmmaking one other thing i don't know why i'm just here reciting this book to people but i just read it so it's really on my mind they got cable they grew up in metairie louisiana and which is like outside of new orleans by the way i was emailing with their dad last night which was kind of funny because i was try to get some get some more intel on them funny uh emailing with larry duplass but um uh they got cable tv in the early 80s and they talk about how they had hbo and hbo just put on whatever movie they wanted to put on at any time of day so these like you know five-year-old and nine-year-old kid would just be sitting around watching like kramer versus kramer on repeat and then like the deer hunter and just like whatever was coming down the pike on hbo like in the middle of the day on a saturday they were just getting kind of this film class of this this what's considered to be a real golden era of filmmaking which would be the 70s and maybe into the early 80s when some of these incredibly uh important you know films were getting made and uh and so that was a very big influence on them i don't know if that was when they were seeing originally seeing raising arizona but um But, but yeah, they, they didn't go to film school or acting school. As far as I understand, I, what I'll say is like, most of the time when I go into these interviews, well, one, this is where I try to make it a feature, not a bug. I don't really love sitting down and writing out a bunch of detailed questions and having a bunch of notes with me. One, because I'm too lazy to do that. But the way that I try to make it like a flex is I don't need a bunch of notes. I'm just having a conversation. You know what I mean? like I try to make it so that that's an improvement over if I were to be thoroughly researched and have a bunch of my questions printed out and I was holding them like I don't like I don't like that it makes I don't like looking down and referring to the questions I like it just feeling like we're chatting um and that is generally what I do I am going into this interview with a lot of notes and a lot of questions that are laid out in a kind of a a sort of chronological timeline I think because I want to do a good job and I also want them to like me and think that I am somebody who is not like every other TV reporter that they've talked to, which has been many, many, many of them.